In short:
Australia's bilby capital has unveiled six large cement bilbies featuring the work of Queensland artists.
It is hoped the installations will raise the profile of the endangered greater bilby.
What's next?
The trail is set to expand to 18 bilbies over the next two years and could include neighbouring towns.
One of Australia's most beloved tiny marsupials has gone larger than life and is ready to take over a town in outback Queensland.
Artists have unveiled six cement bilby sculptures in prominent spots across Charleville, outback Queensland, celebrating the marsupial's national day on Sunday.
The "bilby release" highlights the town's title as Australia's bilby capital and aims to educate visitors about the endangered native.
Trail brings together art and nature
Charleville Cultural Association Arts project manager Carmel Williams said six artists were selected to paint the 300-kilogram cement casts based on their proposals.
"It just all came together beautifully, and each one is unique, with their different style," she said.
Ms Williams adapted the idea for the project after visiting the Kooka! Trail in the Brisbane suburb of Paddington in 2022.
But it was then a journey of raising money to create a cement mould and finding artists who would decorate the bilbies.
The cement bilbies are positioned in busy parts of town, including the airport, railway station and courthouse.
Over the coming years, it is hoped the trail will grow to 18 bilbies and include other towns in Murweh shire.
"It gives us an opportunity to shine the light on Save the Bilby Fund and the plight of the bilby," Ms Williams said.
Abstract and traditional artists decorate bilbies
While most of the artists had to travel to Charleville to paint their bilbies, Richard Ranson had the luxury of taking his time and waiting for the right conditions to paint.
Now he walks past his bilby every day, displayed in Graham Andrews Parklands.
"We've tried to place them so that when they take the photo, they've got a nice backdrop," Mr Ranson said.
"They're a great design. You can't look at them and not smile."
He said it showed what the town could do.
"It really does bring together the community, and it brings together the arts and the children. Children love them."
Pentland artist Louise Dean was inspired by the Charleville Cosmos Centre, the Moreton Bay Ash gum tree and the town's red dirt.
But she said she felt the pressure as she worked to finish her artwork during a brief visit to Charleville, about 800 kilometres from her hometown.
"Presenting a two-dimensional picture to an art exhibition like that is different to actually going and painting a three-dimensional," she said.
"I have to admit it was a challenge. It was damned hard work, but it all came together in the end, and then they were very thrilled with it.
"It's the most fantastic feeling to have your artwork on display like that and to have a town think that your artwork is worthy enough to put on display."
